LISTEN HERE ⬇️
The music is the stuff of happy fantasy. The imagination and skill that went into the entire program were simply amazing, throughout. One hears in the piano not echoes of or references to other composers, but a deep sharing of ideas with great pianists, a sensibility to musical possibilities that parallels people like Ravel, Debussy, and Respighi. Every piece sounds deceptively spontaneous, but on deeper reflection is clearly the product of much careful thought and practice - there is an apparent effortlessness that bespeaks a great deal of preparation, not to mention a unanimity of ideas between the performers. The moods of The Engulfed Cathedral are here, as are the modes of Respighi's works, especially for piano. Yet always there's a smooth sense of freedom and spontaneity that's almost playful, inviting the hearers to - more than just listen - but share in the fun. |
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Musicians Mike Effenberger (piano) and Chris Klaxton (trumpet) have a long history of performing together in a variety of contexts and styles - improvisation being central to nearly every project.
As gigging jazz musicians holding long-standing positions as UCC church choir directors, both Mike and Chris have found a host of spirituals and hymns to be as fertile a landscape for rearrangement and improvisation as any American Songbook standard.
Time and Mercy creates a sacred space all its own by embracing traditional religious music through a range of styles native to gospel, jazz, and the avant garde.
Time and Mercy is available for performances OR performance / lecture presentations, discussing the history of improvisation in the church, the intersection of the sacred and secular, Black American Music, and the duo's musical arranging process.
As gigging jazz musicians holding long-standing positions as UCC church choir directors, both Mike and Chris have found a host of spirituals and hymns to be as fertile a landscape for rearrangement and improvisation as any American Songbook standard.
Time and Mercy creates a sacred space all its own by embracing traditional religious music through a range of styles native to gospel, jazz, and the avant garde.
Time and Mercy is available for performances OR performance / lecture presentations, discussing the history of improvisation in the church, the intersection of the sacred and secular, Black American Music, and the duo's musical arranging process.